"The dance company Blue13, which blends contemporary and traditional forms to challenge perceptions of South Asian American women, is back at the outdoor venue with a one-night-only performance inspired by the Doomsday Clock‘s countdown to global catastrophe. The program, choreographed by Achinta S. McDaniel and with original music by Reena Esmail and Nina Shekhar, features three movements that jump through different eras in global history through the lens of immigrant Americans and third-generation people."
"Nina Shekhar's 'Light Up' from her composition 'Postcards' opened with a lively hammering of a single note, underscored by a growing idea of running tones and chords, until these elements seemed to powerfully crash and join together. Wang dexterously plumbed through the registers to the very heights of the keyboard, before unfurling all this sound back down through swift and elegant runs to return to the bolstered initial material and its exuberant conclusion."
"Nina Shekhar's 'if these walls' was amusing, unexpected, inventive, and intricate."
"A lovely dreamscape, 'GLITTER MONSTER' is a piece well worth hearing again."
"The rhythmically workshopped piece 'GLITTER MONSTER' is imaginative and risk-taking, a free-roaming trip through Shekhar’s consciousness, juxtaposed between a dream-like sound. The audience swooned over the sensual and spiritual aspects of the work."
"Piano Spheres and Hear Now both featured the gifted young composer Nina Shekhar, who grew up in Detroit and studied at the University of Southern California. Vicki Ray and Aron Kallay, the mainstays of Piano Spheres, played Shekhar’s “hush,” for microtonal keyboards. At Hear Now’s concert, the Lyris Quartet offered her “rockabye-bye.” Both pieces breathe an atmosphere of nervous trance, blending sweetness and strangeness, simple chords and instrumental noises."
"The show opened with a brief but evocative rendering of Nina Shekhar’s seductive, wonderfully mood-setting 'Lumina,' a mesmerizing 11-minute piece inspired by both Hindustani ragas and an exploration of the shift between light and shadows."
"We’re starting to see more musicians, like Shekhar, reaching for greater freedom via growth and not forgetting that part of that work is bringing others with them."
"Shekhar is one of those rare composers who opens my ears a little wider each time I hear her music."
Featuring music by Nina Shekhar and performances by Brightwork new music
"LA’s Hidden Gems series: Local Creatives You Should Know”
UNEVEN MEASURES series (commissioned by American Composers Forum and I Care if You Listen), dedicated to advancing intersectional gender equity
"The dance company Blue13, which blends contemporary and traditional forms to challenge perceptions of South Asian American women, is back at the outdoor venue with a one-night-only performance inspired by the Doomsday Clock‘s countdown to global catastrophe. The program, choreographed by Achinta S. McDaniel and with original music by Reena Esmail and Nina Shekhar, features three movements that jump through different eras in global history through the lens of immigrant Americans and third-generation people."
"We’re starting to see more musicians, like Shekhar, reaching for greater freedom via growth and not forgetting that part of that work is bringing others with them."
"LA’s Hidden Gems series: Local Creatives You Should Know”
UNEVEN MEASURES series (commissioned by American Composers Forum and I Care if You Listen), dedicated to advancing intersectional gender equity
Featuring music by Nina Shekhar and performances by Brightwork new music
"Nina Shekhar's 'Light Up' from her composition 'Postcards' opened with a lively hammering of a single note, underscored by a growing idea of running tones and chords, until these elements seemed to powerfully crash and join together. Wang dexterously plumbed through the registers to the very heights of the keyboard, before unfurling all this sound back down through swift and elegant runs to return to the bolstered initial material and its exuberant conclusion."
"Nina Shekhar's 'if these walls' was amusing, unexpected, inventive, and intricate."
"A lovely dreamscape, 'GLITTER MONSTER' is a piece well worth hearing again."
"The rhythmically workshopped piece 'GLITTER MONSTER' is imaginative and risk-taking, a free-roaming trip through Shekhar’s consciousness, juxtaposed between a dream-like sound. The audience swooned over the sensual and spiritual aspects of the work."
"Piano Spheres and Hear Now both featured the gifted young composer Nina Shekhar, who grew up in Detroit and studied at the University of Southern California. Vicki Ray and Aron Kallay, the mainstays of Piano Spheres, played Shekhar’s “hush,” for microtonal keyboards. At Hear Now’s concert, the Lyris Quartet offered her “rockabye-bye.” Both pieces breathe an atmosphere of nervous trance, blending sweetness and strangeness, simple chords and instrumental noises."
"The show opened with a brief but evocative rendering of Nina Shekhar’s seductive, wonderfully mood-setting 'Lumina,' a mesmerizing 11-minute piece inspired by both Hindustani ragas and an exploration of the shift between light and shadows."
"Shekhar is one of those rare composers who opens my ears a little wider each time I hear her music."